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  2. Expressive timing - Wikipedia

    en.wikipedia.org/wiki/Expressive_timing

    In jazz, expressive timing plays an important role in how "swing" notes are timed. It has also been shown empirically that simple rhythms are often performed differently from how they are notated. This aspect of rhythm production is at odds with a feature of rhythm perception—namely, that rhythms made up of complex ratios are simplified by ...

  3. FusionCharts - Wikipedia

    en.wikipedia.org/wiki/FusionCharts

    Please help improve it or discuss these issues on the talk page. ( Learn how and when to remove these messages ) A major contributor to this article appears to have a close connection with its subject.

  4. Holdover in synchronization applications - Wikipedia

    en.wikipedia.org/wiki/Holdover_in...

    Within the base station, besides standard functions, accurate timing and the means to maintain it through holdover is vitally important for services such as E911 [5] GPS as a source of timing is a key component in not just Synchronization in telecommunications but to critical infrastructure in general. [9]

  5. Entrainment (chronobiology) - Wikipedia

    en.wikipedia.org/wiki/Entrainment_(chronobiology)

    The phasic mode is when there is limited interaction with the environment to "reset" the clock every day by the amount equal to the "error", which is the difference between the environmental cycle and the organism's circadian rhythm. Exposure to certain environmental stimuli will cause a phase shift, an abrupt change in the timing of the rhythm.

  6. Time unit box system - Wikipedia

    en.wikipedia.org/wiki/Time_unit_box_system

    Below is an example of an adapted TUBS score depicting a percussion pattern for multiple instruments. One benefit with the TUBS system is that it clearly relates which drum is to be struck (as the symbol will be solid, hollow, etc. uniquely for each drum) as opposed to different drums being notated via a different line of the musical staff, which can be more difficult to see.

  7. Timing (music) - Wikipedia

    en.wikipedia.org/wiki/Timing_(music)

    Research in music cognition has shown that time as a subjective structuring of events in music, differs from the concept of time in physics. [2] Listeners to music do not perceive rhythm on a continuous scale, but recognise rhythmic categories that function as a reference relative to which the deviations in timing can be appreciated.

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