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"Hey Stephen" is a song written and recorded by the American singer-songwriter Taylor Swift for her second studio album, Fearless (2008). It is a country pop , folk-pop , and teen pop song about an unrequited love , inspired by a real-life infatuation.
"For What It's Worth (Stop, Hey What's That Sound)" (often referred to as simply "For What It's Worth") is a song written by Stephen Stills. Performed by Buffalo Springfield, it was recorded on December 5, 1966, released as a single on Atco Records in December 1966 and peaked at No. 7 on the Billboard Hot 100 chart in the spring of 1967. [8]
The lyrics are about temptations and reluctance caused by a dangerous love affair. Big Machine Records released "Sparks Fly" to country radio in the United States on July 18, 2011, as the fifth single from Speak Now. The accompanying music video was released on August 10, 2011, and it features footage from the Speak Now World Tour. Some critics ...
The bit concluded with Swift revealing that “‘Hey Stephen’ is about Stephen King,” she said. “He’s amazing.” After Swift’s appearance, the show featured musical guest Lucy Dacus ...
After singing the “Hey Stephen” bridge lyric, “All those other girls, well, Swift, 34, performed a mashup of “Speak Now” and “Hey Stephen” on guitar as her first surprise song of the ...
Liles is the subject of "Hey Stephen" which appears on Swift's 2008 album Fearless. [2] He also co-wrote the track "Wrong Baby Wrong Baby Wrong" on Martina McBride's 2009 album Shine. "Kissin' in Cars," which was featured on the soundtrack for the film Country Strong, was also co-written by Liles.
"White Horse" is a song by the American singer-songwriter Taylor Swift and the second single from her second studio album, Fearless (2008). Big Machine Records released the track to US country radio on December 8, 2008.
"Fifteen" is 4 minutes and 55 seconds long. [13] It is a country pop [14] [15] ballad. [16] Driven by a mandolin, [17] it concludes with an outro where Swift sings, "la la la." [18] Critics said that "Fifteen" has a prominent pop production; [19] Larry Rodgers of The Arizona Republic described it as "roots pop", [20] and John Terauds of the Toronto Star deemed it guitar pop. [21]