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Historically, Palestinian landscape art originally focused on a majority-Islamic depiction of the holy land. However, after the Nakba and subsequent displacement of Palestinians, Palestinian landscape art (similarly to all Palestinian art) began to have more of a nationalist subtext to explore Palestinians’ connection to their identity and ...
She works in a wide range of media including painting, sculpture, printmaking, book art, video, and installation. In the last four decades, her artwork has embraced several mediums and seeks to highlight memory, identity, women issues and social justice while consistently challenges frontiers between artist and public and art and politics.
Magdalena Carmen Frida Kahlo y Calderón [a] (Spanish pronunciation: [ˈfɾiða ˈkalo]; 6 July 1907 – 13 July 1954 [1]) was a Mexican painter known for her many portraits, self-portraits, and works inspired by the nature and artifacts of Mexico.
Untitled (African-American Flag) is a vexillographic artwork by American artist David Hammons from 1990, combining the colors of the Pan-African flag with the pattern of the flag of the United States to represent African diaspora identity. The flag replaces the red, white and blue colors on the traditional American flags with pan-African colors.
Guernica is a large 1937 oil painting by Spanish artist Pablo Picasso. [1] [2] It is one of his best-known works, regarded by many art critics as the most moving and powerful anti-war painting in history. [3]
Basquiat’s artwork stands at the intersection of blackness, identity, and aesthetics, grappling with complex questions of representation and self-reflexivity. His work disrupts the boundaries of high art, redefining the aesthetics of black identity through distinctive use of symbols, language, and visual style.
Latin American Art in the Twentieth Century. London: Phaidon Press Limited. ISBN 0-7148-3980-9. Donahue-Wallace, Kelly. Art and Architecture of Viceregal Latin America, 1521-1821. Albuquerque: University of New Mexico Press 2008. Fane, Diana, ed. Converging Cultures: Art and Identity in Spanish America. (exhibition catalogue Brooklyn Museum of ...
Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [2] he was the first-ever to be recognized as a National Artist of the Philippines. [3]
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