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Blind contour drawing is a drawing exercise, where an artist draws the contour of a subject without looking at the paper. The artistic technique was introduced by Kimon Nicolaïdes in The Natural Way to Draw, and it is further popularized by Betty Edwards as "pure contour drawing" in The New Drawing on the Right Side of the Brain. [1] [2]
Lists of Picasso artworks include: List of Picasso artworks 1889–1900; List of Picasso artworks 1901–1910; List of Picasso artworks 1911–1920; List of Picasso artworks 1921–1930; List of Picasso artworks 1931–1940; List of Picasso artworks 1941–1950; List of Picasso artworks 1951–1960; List of Picasso artworks 1961–1970
Ian Sklarsky is an artist who creates blind contour portraits using pen, ink, and water color. [1] Inspired by how blind contour requires an artist to remain focused on the subject without distraction, Sklarsky’s ongoing series of artworks are drawn with just a single line and without looking at the sketch until finished. [2]
Pablo Picasso, 1901, Old Woman (Woman with Gloves), oil on cardboard, 67 x 52.1 cm, Philadelphia Museum of Art Le Gourmet, 1901, National Gallery of Art, Washington, D.C. Pedro Mañach, 1901, National Gallery of Art, Washington, D.C. Pablo Picasso, 1901, Harlequin and his Companion (Les deux saltimbanques), oil on canvas, 73 x 60 cm, Pushkin Museum, Moscow Pablo Picasso, 1901, Portrait de ...
1948 Nature Morte au Poron (Still Life with Poron), oil on canvas, Welsh National Museum of Art, Cardiff, Wales. [3] [4] 1949 Portrait of Françoise (Buste de Femme), oil on canvas, University of Michigan Museum of Art [5] 1949 Dove, lithograph on paper, Tate; 1950 Portrait of a Painter after El Greco; 1950 Matador
In a continuous-line drawing, the artist looks both at the subject and the paper, moving the medium over the paper, and creating a silhouette of the object. Like blind contour drawing, contour drawing is an artful experience that relies more on sensation than perception; it's important to be guided by instinct. [2]
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Maison dans un champ de blé (1898), oil on canvas, 33 x 44 cm, Museu Picasso; Paysage de Horta d'Ebre (1898) Hermitage de Saint Antoine du Tossai (1898) Mulet (1898), oil on canvas, 27.7 x 36.4 cm, Museu Picasso; Chèvres sauvages (1898), conte pencil on paper, 16.1 x 24.8 cm, Museu Picasso; La caverne (1898), oil on wood, 12.8 x 18.1 cm ...
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