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The libretto of a musical, if the musical is adapted from a play (or even a novel), may even borrow their source's original dialogue liberally – much as Oklahoma! used dialogue from Lynn Riggs's Green Grow the Lilacs, Carousel used dialogue from Ferenc Molnár's Liliom, My Fair Lady took most of its dialogue word-for-word from George Bernard ...
Eliot said he would consider the matter as long as I provided him with a precise scheme of musical sections and an exact indication of the numbers and kinds of words for each stage". When Tippett produced his detailed draft, Eliot advised the composer to write his own libretto, suggesting that his own superior poetry would either distract ...
Stolen, robbed (i.e. flexible in tempo), applied to notes within a musical phrase for expressive effect ruhig (Ger.) Calm, peaceful run A rapid series of ascending or descending musical notes which are closely spaced in pitch forming a scale, arpeggio, or other such pattern. See: Fill (music) and Melisma. ruvido Rough
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
When the range was extended down by one note, to a G, that note was denoted using the Greek letter gamma (Γ), the lowest note in Medieval music notation. [citation needed] (It is from this gamma that the French word for scale, gamme derives, [citation needed] and the English word gamut, from "gamma-ut". [citation needed])
The libretto is structured in three parts, the first dealing with the Creation of the universe and the plants, the second with the Creation of the animals, and of man and woman, and the third with Adam and Eve in Paradise, showing an idealized love in harmony with the "new world".
A work containing the words to an opera, musical, or ballet Melodramma: melodrama: A style of opera Opera: work: A drama set to music for singers and instrumentalists Opera buffa: humorous opera: A comic opera Opera semiseria: semi-serious opera: A variety of opera Opera seria: serious opera: An opera with a serious, esp. classical theme ...
Handel's only work for the theatre that is set to an English libretto. [19] 1733 Orlando (Handel). [20] An opera that is described by Anthony Hicks as "remarkable" [16] and by Orrey as one of Handel's "best works". [19] 1733 La serva padrona (Giovanni Battista Pergolesi). Became a model for many of the opera buffas that followed it, including ...