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Shōka arrangement by the 40th headmaster Ikenobō Senjō, drawing from the Sōka Hyakki by the Shijō school, 1820 Ikebana flower arrangement in a tokonoma (alcove), in front of a kakemono (hanging scroll) Ikebana (生け花, 活け花, ' arranging flowers ' or ' making flowers alive ') is the Japanese art of flower arrangement.
A woman creating a flower arrangement in the 1930s in Tokyo, Japan An arrangement displayed at a church in Beer, United Kingdom. Floral design or flower arrangement is the art of using plant material and flowers to create an eye-catching and balanced composition or display.
Egyptians were decorating with flowers as early as 2,500 BCE. They regularly placed cut flowers in vases, [1] and highly stylized arrangements were used during burials, for processions, and simply as table decorations. Illustrations of arranged flowers have been found on Egyptian carved stone reliefs and painted wall decorations.
Shōka arrangement by the 40th headmaster Ikenobō Senjō, from the Sōka Hyakki by the Shijō school (1820) Ikenobō (池坊) is the oldest and largest school of ikebana, the Japanese art of floral design. It was founded in the 15th century by the Buddhist monk Senno. The school is based at the Rokkaku-dō temple in Kyoto. [1]
An engineering drawing is a type of drawing and is technical in nature, used to fully and clearly define requirements for engineered items. It is usually created in accordance with standardized conventions for layout, nomenclature, interpretation, appearance (such as typefaces and line styles), size, etc.
The name "Flower of Life" is given to the overlapping circles pattern in New Age publications. Of special interest is the six petal rosette derived from the "seven overlapping circles" pattern, also known as " Sun of the Alps " from its frequent use in alpine folk art in the 17th and 18th century.
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Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.