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an alternate piece for No. 11 of Douze Études L 143, it has no musical relation to that piece, though Debussy composed the two simultaneously; discovered 1977, published as Étude retrouvée. 146: 138: Élégie: piano 1915 150 – Les Soirs illuminés par l'ardeur du charbon: piano 1917 discovered Nov. 2001, published 2003 – – Rapsodie in ...
The sonata for violin and piano in G minor, L. 140, was written in 1917. It was the composer's last major composition and is notable for its brevity; a typical performance lasts about 13 minutes. The premiere took place on 5 May 1917, the violin part played by Gaston Poulet, with Debussy himself at the piano. It was his last public performance. [7]
Debussy c. 1900 by Atelier Nadar (Achille) Claude Debussy [n 1] was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at ...
The piece makes use of modes and whole-tone and pentatonic scales, as is typical of Debussy's style. It also uses many types of extended cello technique, including left-hand pizzicato, spiccato and flautando bowing, false harmonics and portamenti. The piece is considered technically demanding. The work takes about 10 minutes to perform.
The earliest two works composed for flute, viola, and harp are Théodore Dubois's Terzettino (1905) and Claude Debussy's Sonata for Flute, Viola and Harp (1915). The Terzettino is a relatively short work in one movement lasting approximately five minutes, and its main theme is a lyrical, romantic-style melody. [4]
Debussy completed the first book (FL 86) in 1891. [4] The manuscript of the score shows two songs, "Pantomime" and "Mandolin", which were later removed; they were later published separately. [ 4 ] The score was published in 1903 and the songs were first performed at the house of Madame Édouard Colonne on 16 June 1904.
The piece was one of Debussy's earliest compositions. Additionally, the piece is known as one of Debussy's most sophisticated experiments in tonal composition. [2] The text comes from Verlaine's Romances sans paroles, which was published in 1874. The poetry used for this particular piece was written in a, a, b, c, c, b form and describes the ...
This piece is a rather ingenious study in finger independence with a twentieth-century vocabulary. In the middle, the pianist slows down and tries the material in other keys for exercise. Debussy's "Doctor Gradus Ad Parnassum" is of intermediate difficulty and requires the ability to play more quickly and wildly.