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A Nepali woman with a tilaka on her forehead. In Hinduism, the tilaka (Sanskrit: तिलक), colloquially known as a tika, is a mark worn usually on the forehead, at the point of the ajna chakra (third eye or spiritual eye) and sometimes other parts of the body such as the neck, hand, chest, or the arm. [1]
A bindi is a bright dot of some colour applied in the centre of the forehead close to the eyebrows or in the middle of the forehead that is worn in the Indian subcontinent (particularly amongst Hindus in India, Nepal, Bhutan, and Sri Lanka) [3] and Southeast Asia among Balinese, Javanese, Sundanese, Malaysian, Singaporean, Vietnamese, and ...
For example, the U-shaped urdhva pundra usually denotes devotion to Vishnu, while Shiva devotees often wear it in the form of three horizontal lines. It may be made of saffron, vermilion, turmeric, clay, or simply ash. To denote marriage and auspiciousness, married Hindu women commonly wear a decorative vermilion dot or bindu, or bindī on the ...
These ornaments adorn the head, ear, neck, hands, fingers and waist of the dancer. The ornaments include a choker, padaka-tilaka (a long necklace), bahichudi or tayila (armlets), kankana (bracelets), a mekhalaa' (belt), anklets, bells, kapa (earrings) and a seenthi (ornament work on the hair and forehead). These ornaments are embellished with ...
People dip their thumb or ring finger into the heap and apply it on the forehead or between the eyebrows. In most of India, married women apply red kumkuma to the parting of their hair above their forehead every day as a symbol of marriage. This is called vermilion, or in Hindi, sindoor. In India, many unmarried girls wear a bindi every day.
In Hindu tradition, it is often depicted as a fabulous jewel in the possession of Vishnu as the Kaustubha Mani or as on the forehead of the Naga king called as Naga Mani, or on the forehead of the Makara. [citation needed] The Yoga Vasistha, originally written in the 10th century CE, contains a story about the cintamani. [1]
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