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  2. Eclogues - Wikipedia

    en.wikipedia.org/wiki/Eclogues

    Incipit page of Eclogue 1 in a 1482 Italian translation of Bucolics Several scholars have attempted to identify the organizational principles underpinning the construction of the book. [ 3 ] [ 4 ] Most commonly the structure has been seen to be symmetrical, turning around eclogue 5, with a triadic pattern.

  3. Eclogue - Wikipedia

    en.wikipedia.org/wiki/Eclogue

    The beginning of Virgil's Eclogues, 15th century manuscript, Vatican Library. An eclogue is a poem in a classical style on a pastoral subject. Poems in the genre are sometimes also called bucolics. The term is also used for a musical genre thought of as evoking a pastoral scene.

  4. Eclogue 1 - Wikipedia

    en.wikipedia.org/wiki/Eclogue_1

    Eclogue 1 (Ecloga I) is a bucolic poem by the Latin poet Virgil from his Eclogues. In this poem, which is in the form of a dialogue, ...

  5. Idyll XI - Wikipedia

    en.wikipedia.org/wiki/Idyll_XI

    Virgil imitates Idyll XI in Eclogue II. The subject of Virgil's poem is a supposedly rough and uncouth shepherd Corydon, who corresponds to the grotesque figure of the Cyclops in Theocritus' poem. Corydon is in love with an unattainable boy named Alexis, just as Galatea is unattainable by Polyphemos.

  6. Eclogues of Calpurnius Siculus - Wikipedia

    en.wikipedia.org/wiki/Eclogues_of_Calpurnius_Siculus

    Eclogue II (featuring an amoebaean song contest) and Eclogue VI (which relates to an aborted amoebaean song contest), providing a middle frame around Eclogue IV, corresponding to Virgil's Eclogues III and VII. [7] Poems with dialogue (Eclogues II, IV and VI) are interwoven with poems containing long monologues (Eclogues I, III, V and VII). [8]

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  8. Pastoral - Wikipedia

    en.wikipedia.org/wiki/Pastoral

    Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature.

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