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Gajah (Elephant) is the second studio album by Indonesian singer-songwriter Tulus. The album was released on February 19, 2014, by Demajors. The album occupied the eighth position in iTunes Indonesia in July. A few months after release, the single "Gajah" entered the charts in Indonesia.
Tulus is the debut studio album by Indonesian recording artist Tulus. The album was produced by Ari Renaldi and released by Tulus Record in September 2011. It also launched by Demajors. The album contains 10 songs, including "Merdu Untukmu", "Diorama", and "Sewindu".
Tulus led the nominations with nine, and also became the biggest winner of the night with six wins, including Best of the Best Album for Gajah, Best of the Best Production Work for "Jangan Cintai Aku Apa Adanya", and Best Pop Male Solo Artist. [3] Other winners included Cita Citata and Trio Lestari, who won three awards.
Tulus released a new theme song in support of this campaign. Tulus composed a single, entitled "Lekas", which was used on the soundtrack for the Indonesian movie, 3 Nafas Likas (2014). In mid 2015, Tulus created a song with Ran, an Indonesian music group, for that will be used in an ad campaign for Listerine.
He has released three albums: Tulus (2011), Gajah (2014) and Monokrom (2016). Gajah remained in the top 10 best selling albums of iTunes Asia for two consecutive months. In addition, the album was listed among the top 9 Indonesian albums by Tempo magazine. [1] In October 2014, Tulus performed at the 2014 Anugerah Planet Muzik in Singapore.
The biggest question surrounds the track “Chloe or Sam or Sophia or Marcus” from The Tortured Poets Society: The Anthology, which dropped on Friday, April 19. Traditionally, Swift name-drops ...
In a move that hints at quarterback Deshaun Watson remaining with the Cleveland Browns next season, he and the club reportedly have agreed to restructure his contract.
Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing.