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Pages in category "Poems adapted into films" The following 44 pages are in this category, out of 44 total. This list may not reflect recent changes. A. Aniara;
An account of the making and performance of 'The Lost Pool' is contained in Robert Hampson's essay, 'Lost and Found: Women's Poetry and the Academy' (Journal of British and Irish Innovative Poetry, 3:2, September 2011, 81-90). Sophie Mayer discusses Olsen's film poems in 'Cinema Mon Amour: How British Poetry Fell in Love with Film', her chapter ...
By the 1990s, the avant-garde cinema encompassed the term "film-poem" in addition to different strains of filmmaking. [4] Film-poems are considered "personal films" and are seen "as autonomous, standing apart from traditions and genres". They are "an open, unpredictable experience" due to eschewing extrinsic expectations based on commercial films.
This genre of film was first explored in the 1920s by Impressionists Germaine Dulac, Louis Delluc, Man Ray, Hans Richter, and others. In the mid-1960s and early 1970s this genre was further explored by the Beat Generation poets Lawrence Ferlinghetti, Allen Ginsberg, and Herman Berlandt, and developed into a festival held annually at the Fort Mason Center in California.
The Leaden Echo and the Golden Echo is named after the poem by Gerard Manley Hopkins and features Tait reading it; Hugh MacDiarmid, A Portrait featured the poet, who reads from several of his poems; of the title and content of her film Colour Poems, she wrote, "A poem started in words is continued in images." Much analysis of Tait's work ...
Poem Film(s) "Casey at the Bat: A Ballad of the Republic, Sung in the Year 1888" (1888), Ernest Thayer: Casey at the Bat (1916) Casey at the Bat (1927) Make Mine Music (1946) "The Charge of the Light Brigade" (1854), Alfred, Lord Tennyson: Balaclava (1928) The Charge of the Light Brigade (1912) The Charge of the Light Brigade (1936)
The film rekindled Broughton's filmmaking and led to more films including The Golden Positions, This Is It, The Water Circle, High Kukus, and Dreamwood. Broughton's films developed a following, especially among students at the San Francisco Art Institute, where he taught film (and wrote Seeing the Light, a book about filmmaking) and artistic ...
Cinepoetry: Imaginary Cinemas in French Poetry (Verbal Arts: Studies in Poetics) by Christophe Wall-romana Cinepoems and others by Benjamin Fondane Scenario's Charm(シナリオの魅力 Shinario No Miryoku ) by Fuyuhiko Kitagawa