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The Clarinet Works of Jörg Widmann: A Performance Guide to Fantasie for Clarinet Solo with a Survey of Unaccompanied Clarinet Repertoire and Guide to Contemporary Techniques (DMA thesis). Ohio State University. Mala, Defrim (2019). The music avangard Jörg Widmann and an analyse on his main work "The Fantasie for Clarinet Solo" (Master's thesis).
In 2016, she released Flying Solo, solo clarinet literature dating from 1919 through 2000. In his review of the album, Anthony J. Costa writes, 'The styles hint at a variety of influences including blues (Turnage), ragtime (Stravinsky), commedia dell’Arte (Cahuzac), poetry of Wordsworth (Roxburg), nature (Messaien), mythology (Crosse) and ...
Three Pieces for Solo Clarinet is a solo instrumental work by Igor Stravinsky.The work was composed in 1918. [1] It was published in 1919, shortly after the completion of his Suite from L'Histoire du Soldat, as a thank-you gift to the philanthropist and arts patron Werner Reinhart, who was also an amateur clarinetist. [2]
It is the most frequently performed work in the solo bassoon repertoire. [1] Osborne recorded the rhapsody in collaboration with Sol Schoenbach for a 1952 radio program of contemporary American music run by WNYC in New York. The piece's working title was "Study for Bassoon", but Osborne intended to make it playable on clarinet as well.
Prelude, Fugue and Riffs is a "written-out" jazz-in-concert-hall composition composed by Leonard Bernstein for a jazz ensemble featuring solo clarinet.. The title points to the union of classical music and jazz: Prelude (first movement) and Fugue (second movement) – both baroque forms – are followed immediately without a pause by a series of "riffs" (third movement), which is a jazz term ...
Fantasy-Sonata is a piece in E-flat major for clarinet and piano composed by John Ireland in 1943. The work is Ireland's only extant piece for solo clarinet and one of his last major compositions before his retirement. [1] It is dedicated to Frederick Thurston and was premiered by Thurston and Ireland in January 1944.
These Konzertstücke are virtuoso concertante works, but the Sonata in E-flat major, written by Mendelssohn in 1824, when he was only 15, is genuine chamber music: the clarinet and the piano are both used equally as a melody and an accompaniment instrument, but the demands on the clarinettist are far more modest than in opp. 113 and 114.