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Austin starts shouting to him "You really are a Fat Bastard"; to which he replies "You know that hurts my feelings. I've tried going on a diet, you know". Fat Bastard then says he did the Zone diet , stating that "carbs are the enemy", though the Zone diet promotes equal amounts of carbs and protein and Fat Bastard probably meant the Atkins ...
You pay your money and you take your choice; Youth is wasted on the young; You may/might as well be hanged/hung for a sheep as (for) a lamb; You must have rocks in your head; You scratch my back and I will scratch yours; You only live once. You'll never get if you never go; You're never fully dressed without a smile
Mr. Creosote: "Better get a bucket, I'm gonna throw up." Creosote is then led to his table and, once seated, starts projectile-vomiting, generally failing to hit the provided bucket. The floor quickly becomes covered in vomitus, and so do the cleaning woman and the maître d's trousers. Creosote listens patiently while the restaurant's ...
Because of your brain's connection to the stomach through the Enteric Nervous System and the stomach's involvement in digestion, stress is also a common irritant of the digestive system.
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The song includes such odd lyrics as "Put your fingers in your ears, then stick them in your belly" and "Bop yourself on the head and cross your eyes." Like Animaniacs, there was a gag credit in the closing credits: each show featured an English word appropriate for the episode with its definition. For example, "Around the World in 80 Narfs ...
We all know Santa Claus’s trademark appearance: a jolly face, snow-white beard, and, uh, very large belly. But while it looks cute on greeting cards, having a large gut in real life can hurt ...
In November 2010, after consultation with National Portrait Gallery director Martin Sullivan and co-curator David C. Ward but not co-curator Jonathan David Katz, [14] Smithsonian Institution Secretary G. Wayne Clough removed an edited version of footage used in Wojnarowicz's short silent film A Fire in My Belly from the exhibit "Hide/Seek: Difference and Desire in American Portraiture" at the ...