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The Gates of Hell (French: La Porte de l'Enfer) is a monumental bronze sculptural group work by French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy. It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures.
Ugolino and his sons is a plaster sculpture by French artist Auguste Rodin, part of the sculptural group known as The Gates of Hell.As an independent piece, it was exhibited by its author in Brussels (1887), Edinburgh (1893), Genoa (1896), Florence (1897), Netherlands (1899) and in his own retrospective in 1900.
This figure represents the cumulative human forces, cast upon the eternal emptiness of Hell. [2] In The Gates of Hell, the sculpture appears in three different places: at the top of the left door, at the top of the right pilaster— the one holding Crouching Woman as part of I am beautiful [3] — and as the central piece of Avarice at the bottom of the Gates.
The original was a 27.5-inch (700 mm) high bronze piece created between 1879 and 1889, designed for the Gates' lintel, from which the figure would gaze down upon Hell. While The Thinker most obviously characterizes Dante, aspects of the Biblical Adam , the mythological Prometheus , [ 17 ] and Rodin himself have been ascribed to him.
Gates of Hell sculpture by Auguste Rodin. Located at the B. Gerald Cantor Rodin Sculpture Garden at Stanford University. Viewed from the left of the sculpture at an angle. Date: 29 April 2011, 13:33:20: Source: Own work: Author: Emw
This list is incomplete ; you can help by adding missing items. (February 2011) The Thinker in front of the Rodin Museum in Philadelphia This is a list of The Thinker sculptures made by Auguste Rodin. The Thinker, originally a part of Rodin's The Gates of Hell, exists in several versions. The original size and the later monumental size versions were both created by Rodin, and the most valuable ...
Auguste Rodin was commissioned to make a pair of bronze doors to symbolize the gates of hell. He received the commission on August 20, 1880, for a new art museum in Paris, to exhibit at the 1889 Exposition Universelle, which ultimately did not open; however in 1900, some of them were part of his first solo exhibition in Paris.
The couple appeared in several of Rodin's initial drawings between 1880 and 1881 for The Gates of Hell. In the first version he placed them in the centre, in a work that later appeared on its own as The Kiss. This piece was removed from Gates by the artist in 1886 and replaced by a new version, closer to the description of the lovers in Dante's ...
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