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The Piano Sonata No. 19 in G minor, Op. 49, No. 1, and Piano Sonata No. 20 in G major, Op. 49, No. 2, are short sonatas by Ludwig van Beethoven, published in 1805 (although the works were actually composed a decade earlier in early to mid 1797 [1]). Both works are approximately eight minutes in length, and are split into two movements.
Piano Sonata No. 1 in A Major "Der Main" Piano Sonata No. 2 in G Major; Piano Sonata No. 3 in B flat Major; Hough, Stephen. Sonata for piano (Broken Branches) (2010) 2nd Piano Sonata (Notturno luminoso) (2012) Piano Sonata III (Trinitas) (2014) Piano Sonata no. 4 (Vida Breve) (2016) Ireland, John. Piano Sonata (1920) Ives, Charles
Piano Sonata No. 20 may refer to: Piano Sonata No. 20 (Beethoven) Piano Sonata in B-flat major, K. 498a, formerly considered Piano Sonata No. 20 by Mozart;
Sonata in G major (HWV 358) Sonata in G major for two flutes and basso continuo, BWV 1039; Sonatina in G major (attributed to Beethoven) St. Cecilia Mass; Stand and Sing of Zambia, Proud and Free; Ständchen, WAB 84.2; State Anthem of Uzbekistan; String Duo No. 1 (Mozart) String Quartet No. 3 (Britten) String Quartet No. 1 (Mozart)
Piano Sonata in G major may refer to: Piano Sonata No. 10 (Beethoven) Piano Sonata No. 16 (Beethoven) Piano Sonata No. 20 (Beethoven) Piano Sonata No. 25 (Beethoven) Sonatina in G major (attributed to Beethoven) Piano Sonata No. 2 (Hindemith) Piano Sonata No. 5 (Mozart) Piano Sonata in G major, D 894 (Schubert) Piano Sonata in G major (Tchaikovsky)
The Piano Sonata in G major D. 894, Op. 78 by Franz Schubert is a sonata for solo piano, completed in October 1826. [1] The work is sometimes called the "Fantasie", a title which the publisher Tobias Haslinger, rather than Schubert, gave to the first movement of the work. [ 2 ]
The Sonatina in G major is a composition for solo piano attributed to Ludwig van Beethoven (listed as Anh. 5 No. 1 in the Kinsky–Halm Catalogue). The work was published in Hamburg, Germany, after Beethoven's death; its authenticity is doubtful, as it uses styles not previously seen in Beethoven's oeuvre.
The second movement is in ternary form (or sonata form without development [4]).It opens with a highly ornamented lyrical theme in 3 4 time in F major (mm. 1–16). This is followed by a more agitated, 5-measure transitional passage in D minor (mm. 17–22) accompanied by quiet parallel thirds, followed by a passage full of thirty-second notes in C major (mm. 23–31). [4]
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