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Guitar dulcimer: a hybrid of guitar and dulcimer, with the body more closely resembling a guitar, but the string configuration and pegs of a dulcimer. The stringing pattern on these instruments are frequently the reverse of the dulcimer, with low-pitched strings on the left and higher strings on the right, and they are usually held and played ...
Luthier Homer Ledford coined the word dulcitar as a portmanteau of dulcimer and guitar, building his first model of the instrument around 1971. [1] One of Ledford's dulcitars was accepted into the permanent collection of the Smithsonian Institution, as well as displayed in a traveling exhibit on American craftsmanship. [2]
Mountain Dulcimer, Appalachian Dulcimer, Lap Dulcimer, Dulcimore, Delcimore, Delcimer US Most dulcimers are either 3 or 4 course; any or all courses may be doubled with a second, unison string—hence the number of different stringing possibilities. Alternates listed here give a pitch for each whole course, regardless of number of strings.
Guitar (electric guitar, bass guitar) Guitar zither; Harp guitar; Hawaiian guitar; Octofone; Octobass; Pedal steel guitar; Psaltry (Bowed psaltry) Resophonic guitar (Dobro; Delvecchio; Triolian) Steel Guitar (Hawaii) (Lap steel guitar) Strumstick; Taropatch (Tenor ukulele) Tenor violin; Tiple (American tiple) Ukulele (Hawaii) Zither (Concert ...
There, the word dulcimer, which was familiar from the King James Version of the Bible, was used to refer to a three or four stringed fretted instrument, generally played on the lap by strumming. Variants include: The original Appalachian dulcimer; Various twentieth century derivatives, including Banjo dulcimer, with banjo-like resonating membrane
The concept of the chord zither is different from that of the concert and alpine zithers. These instruments may have from 12 to 50 (or more) strings, depending on design. All the strings are played open, in the manner of a harp. The strings on the left are arranged in groups of three or four, which form various chords to be played by the left hand.
Dulcigurdy (lower left corner) The vielle à roue et à manche (literally "Viola of the wheel and neck", called dulcigurdy by some luthiers) is a modern term for an early music instrument, of unknown original name, of the hurdy-gurdy family, but distinct in that the notes were changed by fingering the neck rather than pressing tangent keys. [1]
The modern Hungarian concert cimbalom was designed and created by V. Josef Schunda in 1874 in Budapest based on his modifications to existing folk dulcimers. [1] He demonstrated an early prototype with some improvements at the 1873 Vienna World's Fair, gaining praise from audiences and drawing the attention of highly-placed Hungarian politicians such as József Zichy, Gyula Andrássy, and King ...
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