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"Visions", whether from dreams or intoxication, served as raw material and were taken to represent the artist's highest creative potential. In the late 19th and early 20th centuries, Symbolism and Expressionism introduced dream imagery into visual art. Expressionism was also a literary movement, and included the later work of the playwright ...
A trompe-l'œil body painting by Joanne Gair. The dress: An optical illusion resulting from the brain's attempt to discount coloured tinting from daylight and other sources. [1] The dress was a viral phenomenon, which was either seen as blue and black or as white and gold. Its true colours were eventually confirmed to be blue and black. [2]
An example of the scintillating grid illusion. Dark dots seem to appear and disappear at intersections. The scintillating grid illusion is an optical illusion, discovered by E. and B. Lingelbach and M. Schrauf in 1994. [2] It is often considered a variation of the Hermann grid illusion but possesses different properties. [2] [3]
Entopic graphomania [8] is a surrealist and automatic method of drawing in which dots are made at the sites of impurities in a blank sheet of paper, and lines are then made between the dots; these can be either "curved lines... or straight lines". [9] Ithell Colquhoun described its results as "the most austere kind of geometric abstraction."
Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and volume ...
Though specific designs are placed separately across the body, they are treated as a single piece of artwork. [4] Uli designs on walls, or uli aja, are more likely to include depictions of human and animal forms. [5] In addition, a distinctive series of stippled white dots (ntupo) are often used to separate different designs or sections of the ...
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Afro-Surrealism is directly connected to black history, experience, and aesthetics, particularly as affected by Western culture. British-Nigerian short story writer Irenosen Okojie describes the genre: [4] Afro-surrealism, which couples the bizarre with ideas of black identity and power, allows for more expansive explorations of blackness.