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Musicophilia: Tales of Music and the Brain is a 2007 book by Oliver Sacks. It explores a range of psychological and physiological ailments and their connections to music. It is divided into four parts, each with a distinctive theme: Haunted by Music examines mysterious onsets of musicality and musicophilia (and musicophobia); A Range of Musicality looks at musical oddities musical synesthesia ...
Aristotle taught that music affects the soul and described music as a force that purified the emotions. Aulus Cornelius Celsus advocated the sound of cymbals and running water for the treatment of mental disorders. Music as therapy was practiced in the Bible when David played the harp to rid King Saul of a bad spirit (1 Sam 16:23).
Can cure a sin–sick soul. The similarities in the refrain make it likely that it was written for Newton's verse. The 1973 edition of the 1925 7-shape Primitive Baptist songbook Harp of Ages has an unattributed song "Balm in Gilead" with a similar chorus, but verses drawn from a Charles Wesley hymn, "Father I Stretch My Hands to Thee".
The World in Six Songs: How the Musical Brain Created Human Nature is a popular science book written by the McGill University neuroscientist Daniel J. Levitin, and first published by Dutton Penguin in the U.S. and Canada in 2008, and updated and released in paperback by Plume in 2009, and translated into six languages.
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DA II.1–3 gives Aristotle's definition of soul and outlines his own study of it, [3] which is then pursued as follows: DA II.4 discusses nutrition and reproduction; DA II.5–6 discuss sensation in general; DA II.7–11 discuss each of the five senses (in the following order: sight, sound, smell, taste, and touch—one chapter for each);
Q1 The speaker addresses his soul, which he pictures as a poor or empty interior, as opposed to his body, a gaudy exterior. Q2 He questions the soul's "large cost" lavished on a body which will shortly die. Q3 Continuing his financial metaphor, he urges the soul to turn the body's inevitable loss into the soul's gain.
The song “Have Yourself a Merry Little Christmas” is a holiday classic, but its genesis goes back to Judy Garland in Meet Me in St. Louis.It turns out, she helped this melancholy Christmas ...