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12-bit Cinema RAW Light (to CFast card), 8-bit 4:2:0 MPEG4 (to SD card, uncompressed 4K 12-bit signal (HDMI recorders) or 2K signal (HD-SDI recorders) 4096 x 2160 (Cinema RAW Light) 3840 x 2160 (MPEG4)
The only possible acquisition format is Redcode Raw. The cameras were initially sold with a CF card slot that later could be replaced with a RedMag module. The second generation, Red One Mysterium-X has a 14 megapixel Mysterium-X sensor. It captures up to 120 frames per second at 2K resolution and up to 30 frames per second at 4K resolution.
Panasonic DVX-200 – 4k 60fps; Point Grey FL3-U3-88S2C-C 8.8 MP Color USB 3.0 – released in 2012 and records at DCI 4K (the framerate is limited to 21 fps) [7] RED EPIC – released in 2011 and records at 5K RAW (5120×2700 13.8 megapixels) & DCI 4K (4096×2160, 8.8 megapixels) RED Scarlet-X – released in November 2011
With AJA CamXChange software on OS-X Yosemite via Thunderbolt Port (DCI 4K to 30fps), CineDNG format. With AJA CamXChange (or Possibly AJA Control Room - unconfirmed by owners) using AJA Io-4K in single or dual-link 3G-SDI (DCI 4K up to 60fps), or AJA Kona4 PCIe card to Raid Array (DCI 4K up to 120fps), all in CineDNG format.
Red Digital Cinema (2023) Red Weapon Helium 8K image showing 6K, 4K, 3K, HD and Instagram native resolution frame overlays Captured through a Canon FD 135 mm f /2.8 lens. In 2021, Red announced the Red V-Raptor camera, the current flagship model in Red's lineup of cameras, and the first camera that officially belongs to the DSMC3 family of ...
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