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Libera me, Domine, de morte æterna, in die illa tremenda Quando cœli movendi sunt et terra Dum veneris iudicare sæculum per ignem. Tremens factus sum ego, et timeo, dum discussio venerit, atque ventura ira Quando cœli movendi sunt et terra. Dies illa, dies iræ, calamitatis et miseriæ, dies magna et amara valde
" Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas (the Angelicum) in ...
8, intercut with quarter rests, which will be reprised by the choir after two measures, on Lacrimosa dies illa ("This tearful day"). Then, after two measures, the sopranos begin a diatonic progression, in disjointed eighth-notes on the text resurget ("will be reborn"), then legato and chromatic on a powerful crescendo.
The Lacrimosa (Latin for "weeping/tearful"), is part of the Dies Irae sequence in the Catholic Requiem Mass. Its text comes from the Latin 18th and 19th stanzas of the sequence. [ 1 ] Many composers, including Mozart , Berlioz , and Verdi have set the text as a discrete movement of the Requiem .
The sequence employed in the Requiem, Dies irae, attributed to Thomas of Celano (c. 1200 – c. 1260–1270), has been called "the greatest of hymns", worthy of "supreme admiration". [1] The Latin text is included in the Requiem Mass in the 1962 Roman Missal. An early English version was translated by William Josiah Irons in 1849.
In principle, the word dies, day, is rather masculine but it is sometimes found in the feminine form, either in traditional expressions like the one presented here, with an almost poetic connotation, or to signify an important day, hence for example the formula dies irae, dies illa, "day of anger that day", in the official text of a Requiem (in the masculine, one would have dies ille).
Dies illa (2014), for three soloists, three mixed choirs and orchestra; Budapest '56 "Requiem" for narrator, soloists, chorus and orchestra (2015–16) Domine quid multiplicati sunt for chorus a capella (2015) Lacrimosa No. 2 for soprano, chorus and chamber orchestra (2018)
Dies sanctificatus illuxit nobis (7) Disciplinam et sapientiam docuit (6) Domine in virtute tua. Magna est gloria ejus (2) Ecce veniet dies illa (7) Etenim Pascha nostrum (6) Et increpavit eos dicens (6) Expurgate vetus fermentum (6) Fili, non te fragant labores (7) Fratres, ego enim accepi (6) Haec dies, quam fecit Dominus (7) Haec est dies ...