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Kobacker, two locations in Buffalo, New York; closure announced on December 27, 1972. [361] No relation to Kobacker's Market, a grocery store in Brewster, New York; E.J. Korvette (New York City), closed 1980; Kresge's (multiple locations) Loehmann's, peaked at about 100 stores in 17 states, liquidated in 2014 after several bankruptcies.
Ward Jackson (September 10, 1928 in Petersburg, Virginia – February 3, 2004) was an American visual artist most closely associated with post painterly abstraction and minimalism, an archivist at the Solomon R. Guggenheim Museum, and the co-founder and editor of the publication "Art Now Gallery Guide".
Postcard of the Montgomery Ward & Company building, undated. In 1928, Montgomery Ward located its regional retail and mail order warehouse on West 7th Street, just across the Trinity River from Downtown Fort Worth. This was one of nine regional centers constructed in the U.S. between 1926 and 1929.
The Beaux Arts building at the corner of West Seventh and Houston streets dates to 1910 and was originally designed for First National Bank of Fort Worth. It has been extensively remodeled over ...
The Railway Express building remains empty on Lancaster Street in Fort Worth, 50 years after the business went bankrupt. It is a sister building to the T&P warehouse, which is also empty. Courtesy ...
In 1971 Ward-Jackson was appointed a director of Colnaghi's by Jacob Rothschild, having previously been an expert in the drawings department of Christie's auction house. [9] [1] He studied art in Vienna in the early 1970s as a research assistant at the drawing cabinet of the Albertina. [7] [4] He was the chairman and director of his own firm ...
[2] [6]: 58–59 This contrasts with the work-relief mission of the Federal Art Project (1935–1943) of the Works Progress Administration, the largest of the New Deal art projects. So great was its scope and cultural impact that the term "WPA" is often mistakenly used to describe all New Deal art, including the U.S. post office murals.
The building was also large enough to contain living quarters for Ward on the ground floor, opening to the garden at the rear. 1970 would mark the closure of the Stable Gallery, which came about very quickly and unexpectedly after Eleanor Ward stated that: due to the evolving commercialization of Fine Art and her personal loss of interest in ...
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