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Official charts and indicative revenue data going back to 1900 [22] Aggregator of chart data from sources such as Billboard, OCC and more [23] Rate Your Music: Music database, community ratings, reviews and lists 23,335,038 [24] 6,415,864 [24] 1,777,397 [24] API is planned but not functional as of 2024. [25] [26] No special rights granted.
The print magazine's regular sections include: [1] Hot 100: A chart of the top 100 most popular songs of the week; Topline: News from the week; The Beat: Hitmaker interviews, gossip and trends in the music industry; Style: Fashion and accessories; Features: In-depth interviews, profiles and photography; Reviews: Reviews of new albums and songs
Lovin' Every Minute of It is the fourth studio album, released in 1985 by the rock band Loverboy.The album became a hit thanks to the title track which reached #9 at US Billboard Hot 100, while "This Could Be the Night" peaked at #10, "Dangerous" #65 and "Lead a Double Life" #68.
HuffPost Data Visualization, analysis, interactive maps and real-time graphics. Browse, copy and fork our open-source software.; Remix thousands of aggregated polling results.
This is a list of U.S. weekly (or smallest available unit for time period) television ratings archives from 1948 through 1997. (Primarily Nielsen ratings) . National Nielsen ratings for United States television viewing began in March 1950.
Also: “Temperature is regulated near the same brain real estate that handles sleep,” adds W. Chris Winter, M.D., a neurologist and sleep specialist in Charlottesville, VA and member of ...
The ratings are determined by a combination of material provided by the game's publisher in both questionnaires and video footage of the game, and a review of this material by a panel of reviewers who assign it a rating. The ratings are designed towards parents so they can make informed decisions about purchasing games for their children.
The Rolling Stone Record Guide was the first edition of what would later become The Rolling Stone Album Guide.It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics.