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Triptych inspired by the Oresteia of Aeschylus (Oil on canvas, 198 x 147.5 cm (78 x 58 in), Astrup Fearnley Museum of Modern Art, Oslo) (large triptych) 1981–82. Triptych November 1981 – January 1982 (left panel) (Oil, pastel and transfer lettering on canvas, 198 x 147.5 cm, Private collection, the Estate of Francis Bacon) [75] 1982
Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures.
This work was the first painting Bacon was happy with and was an instant critical success. The themes it explores reoccur and are re-examined in many of his later panels and triptychs. The Irish-born British artist Francis Bacon (1909–1992) painted 28 known large triptychs between 1944 and 1985–86. [1]
This work is among Bacon's most important, and, containing characteristics of both, is seen by critics as a divider between his early "raw" work, and the later, more clinically observed triptychs. The Irish-born artist Francis Bacon (1909–1992) painted 28 known [ 1 ] triptychs between 1944 and 1986. [ 2 ]
Figure with Meat is a 1954 painting by the Irish-born artist Francis Bacon.The figure is based on the Pope Innocent X portrait by Diego Velázquez; however, in the Bacon painting the Pope is shown as a gruesome figure and placed between two bisected halves of a cow.
Certainly, the opening painting, the small Self-Portrait from 1987, shows Bacon at his absolute worst. With his melancholy, introspective expression rendered in muted pinks and fuzzy contours, it ...
Painting 1946, also known as Painting or Painting (1946), is an oil-on-linen painting by the Irish-born artist Francis Bacon.It was originally intended to depict a chimpanzee in long grass (parts of which may be still visible); Bacon then attempted to paint a bird of prey landing in a field.
The Three Studies are generally considered Bacon's first mature piece; [3] he regarded his works before the triptych as irrelevant, and throughout his life tried to suppress their appearance on the art market. When the painting was first exhibited in 1945 it caused a sensation and established him as one of the foremost post-war painters.
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