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The ecoregion occurs in elevations ranging from 400 to 3,500 metres (1,300 to 11,500 ft) on the eastern slopes of the Andes in Bolivia, extending into a small portion of southeastern Peru. It forms a transition zone between the Southwest Amazon moist forests to the northeast and the Central Andean puna and wet puna to the southwest.
The Cinema of Bolivia comprises the film and videos made within the nation of Bolivia or by Bolivian filmmakers abroad. Though the country's film infrastructure is too small to be considered a film industry, Bolivia has a rich film history. Bolivia has consistently produced feature-length films since the 1920s, many of which are documentary or ...
Bolivia (Yungas Road) Lexus LX450: January 9, 2013 () 1.83: Series 4 (2023) All episodes were made available on UKTV Play on 12 February 2023. [6] According to UKTV ...
The Yungas (Aymara yunka warm or temperate Andes or earth, Quechua yunka warm area on the slopes of the Andes) [1] [2] is a bioregion of a narrow band of forest along the eastern slope of the Andes Mountains from Peru and Bolivia, and extends into Northwest Argentina at the slope of the Andes pre-cordillera. It is a transitional zone between ...
Yunga region of Peru, Bolivia, and northern Argentina; Yunga District, a district of Peru; two provinces of Bolivia: Nor Yungas Province and Sud Yungas Province; Yunga language (Peru) Yunga language (Australia) Yunga people (Australia), an ethnic group
The Yungas Road, popularly known as The Death Road, is a 64-kilometre (40 mi) long cycle route linking the city of La Paz with the Yungas region of Bolivia. It was conceived in the 1930s by the Bolivian government to connect the capital city of La Paz with the Amazon Rainforest in the north part of the country.
considered to be the first Bolivian fiction feature film [1] [2] The Prophecy of the Lake: José Maria Velasco Maidana: black and white, silent romance: Bolivia's second completed fiction feature film; banned by the authorities for its social critique and its portrayal of a white woman in love with an indigenous man; never released [1]
Born in La Paz, Bolivia, Jorge Sanjinés brings highly political films of a revolutionary aesthetic to peasant and working-class audiences in the Andean highlands. The films that characterized the 'New Latin American Cinema' or Third Cinema provided an alternative to First (Capitalist) Cinema, making the social collective act as the protagonists of these films rather than an individual hero.