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King Arthur is a "dramatick opera" or semi-opera: the principal characters do not sing, except if they are supernatural, pastoral or, in the case of Comus and the popular Your hay it is mow'd, drunk. Secondary characters sing to them, usually as diegetic entertainment, but in Act 4 and parts of Act 2, as supernatural beckonings.
King Arthur's grandson through Tom a Lincoln. Another Black Knight is an antagonist figure Blanchefleur: Perceval, the Story of the Grail, c. 1181 Percival's wife, niece to Gornemant: Bors the Elder (French: Bohort) Lancelot-Grail, early 13th century; The Once and Future King: Brother to King Ban, and an ally of Arthur's Bors the Younger†
Le roi Arthus (King Arthur) is an opera in three acts by the French composer Ernest Chausson to his own libretto.It was composed between 1886 and 1895, and first performed 30 November 1903 at the Théâtre de la Monnaie, Brussels, after long delays.
Alexander the Great who appears as a character in over seventy operas, including two by George Frideric Handel. This is a list of historical figures who have been characters in opera or operetta. Historical accuracy in such works has often been subject to the imperatives of dramatic presentation. Consequently, in many cases:
Morgan le Fay (/ ˈ m ɔːr ɡ ən l ə ˈ f eɪ /; Welsh and Cornish: Morgen; with le Fay being garbled French la Fée, thus meaning 'Morgan the Fairy'), alternatively known as Morgan[n]a, Morgain[a/e], Morgant[e], Morg[a]ne, Morgayn[e], Morgein[e], and Morgue[in] among other names and spellings, is a powerful and ambiguous enchantress from the legend of King Arthur, in which most often she ...
Gauvain's attributed arms. Gawain is known by different names and variants in different languages. The character corresponds to the Welsh Gwalchmei ap Gwyar (meaning "son of Gwyar"), or Gwalchmai, and throughout the Middle Ages was known in Latin as Galvaginus, Gualgunus (Gualguanus, Gualguinus), Gualgwinus, Walwanus (Walwanius), Waluanus, Walwen, etc.; in Old French (and sometimes English ...
Camelot is a musical with music by Frederick Loewe and lyrics and a book by Alan Jay Lerner.It is based on the legend of King Arthur as adapted from the 1958 novel The Once and Future King by T. H. White.
The Lady of the Lake (French: Dame du Lac, Demoiselle du Lac, Welsh: Arglwyddes y Llyn, Cornish: Arlodhes an Lynn, Breton: Itron al Lenn, Italian: Dama del Lago) is a title used by multiple characters in the Matter of Britain, the body of medieval literature and mythology associated with the legend of King Arthur.