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Children's clothing during the Italian Renaissance reflected that of their parents. In other words, kids dressed exactly like the adults and looked like miniature versions of them. As babies and toddlers, children were all put in dresses to make the potty training process easier for parents or maids.
Monk's hair was long, and most clergy had beards, as did many lay men, especially later. Upper-class women mostly wore their hair up, again very often curled and elaborately shaped. If we are to judge by religious art, and the few depictions of other women outside the court, women probably kept their hair covered in public, especially when married.
In the miniature (left) of Chaucer reading to his court both men and women wear very high collars and quantities of jewelry. The King (standing to the left of Chaucer; his face has been defaced) wears a patterned gold-coloured costume with matching hat. Most of the men wear chaperon hats, and the women have their hair elaborately dressed.
The habit is bestowed in degrees, as the monk or nun advances in the spiritual life. There are three degrees: (1) the beginner, known as the Rassaphore ('robe bearer') (2) the intermediate, known as the Stavrophore ('cross bearer'), and (3) the Great Schema worn by Great Schema Monks or Nuns. Only the last, the Schemamonk or Schemanun, the ...
The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th. This new figurative language was linked to a new way of thinking about humankind and the world around it, based on the local culture and humanism already highlighted ...
Non-recumbent types of effigy became popular during the Renaissance. By the early Modern period, European effigies were often shown as alive, either kneeling or in a more active pose, especially for military figures. Variations show the deceased lying on their side as if reading, kneeling in prayer, or even standing.
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