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Francis Bacon: Human Presence contains enough variety of works in its climactic sections to account for the stronger and weaker aspects of the later Bacon, while veering thankfully towards the former.
Three Studies for Figures at the Base of a Crucifixion is a 1944 triptych painted by the Irish-born British artist Francis Bacon. The canvasses are based on the Eumenides —or Furies—of Aeschylus 's Oresteia , and depict three writhing anthropomorphic creatures set against a flat burnt orange background.
Although Bacon avoided seeing the original, the painting remains the single greatest influence on him; its presence can be seen in many of his best works from the late 1940s to the early 1960s. In Bacon's version of the 17th-century masterpiece, the Pope is shown screaming, yet his voice is "silenced" by the enclosing drapes and dark, rich colours.
Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures.
Study for a Self-Portrait—Triptych, 1985–86 is a triptych painted between 1985 and 1986 by the Irish-born English artist Francis Bacon. It is a brutally honest examination of the effect of age and time on the human body and spirit and was painted in the aftermath of the deaths of many of his close friends.
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Three Figures in a Room is a 1964 oil-on-canvas triptych painting by British artist Francis Bacon. Each panel measures 198 × 147 centimetres (78 × 58 in) and shows a separate view of his lover George Dyer, whom Bacon first met in 1963. It is the first of Bacon's works to feature Dyer, a model to whom he returned repeatedly in his paintings.
Study for Portrait II, 1955.Tate Britain, London. Study for Portrait II (subtitled after the Life Mask of William Blake) is a small 1955 oil-on-canvas painting by the Irish-born British figurative artist Francis Bacon, one of a series of six portraits completed after viewing that year the English poet, painter and printmaker William Blake's (b. 1757) life mask at the National Portrait Gallery ...