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The Nocturnes, Op. 9 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1831 and 1832, published in 1832, and dedicated to Madame Marie Pleyel. These were Chopin's first published set of nocturnes. The second nocturne of the work is often regarded as Chopin's most famous piece. [1] [2]
The last opus number Chopin used was 65, that allocated to the Cello Sonata in G minor. He expressed a death-bed wish that all his unpublished manuscripts be destroyed. This included the early Piano Sonata No. 1; Chopin had assigned the Opus number 4 to it in 1828, and had even dedicated it to his teacher Elsner, but chose not to publish it. In ...
Chopin's nocturnes carry many similarities with those of Field while at the same time retaining a distinct, unique sound of their own. One aspect of the nocturne that Chopin continued from Field is the use of a song-like melody in the right hand. This is one of the most if not the most important features to the nocturne as a whole. The use of ...
His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarolle in F ♯ major, Op. 60 have cemented a solid place within the piano repertoire, as have his shorter works: the polonaises, mazurkas, waltzes, impromptus and nocturnes.
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Extract from Chopin's Nocturne Op. 62 no. 1 (1846, composer's manuscript) The same passage (1881 Schirmer edition). The examples show Chopin's typical use of trills, grace notes, and detailed pedalling and tempo instructions.
In music, Op. 9 stands for Opus number 9. Compositions that are assigned this number include: Adams – Chamber Symphony; Adès – Living Toys; Bartók – Four Dirges; Beethoven – String Trios, Op. 9; Chopin – Nocturnes, Op. 9; Dohnányi – Symphony No. 1; Kabalevsky – Piano Concerto No. 1
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