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From the multitude of deity names occurring in early-colonial sources (and especially in the medical 'Rituals of the Bacabs'), about twenty have been linked to deity figures from the three Postclassic hieroglyphic books and their correspondences in the corpus of Classic ceramic representations; these have been assigned letter names (Schellhas ...
This is a list of deities playing a role in the Classic (200–1000 CE), Post-Classic (1000–1539 CE) and Contact Period (1511–1697) of Maya religion.The names are mainly taken from the books of Chilam Balam, Lacandon ethnography, the Madrid Codex, the work of Diego de Landa, and the Popol Vuh.
The surviving Mayan books are mainly of a ritual and also (in the case of the Paris Codex) historical nature, and contain few mythical scenes. As a consequence, depictions on temple walls, stelae, and movable objects (especially the so-called 'ceramic codex') are used to aid reconstruction of pre-Spanish Mayan mythology.
Classic Maya rule was centred in a royal culture that was displayed in all areas of Classic Maya art. The king was the supreme ruler and held a semi-divine status that made him the mediator between the mortal realm and that of the gods.
Important rituals such as the dedication of major building projects or the enthronement of a new ruler required a human sacrificial offering. The sacrifice of an enemy king was the most prized offering, and such a sacrifice involved the decapitation of the captive ruler in a ritual reenactment of the decapitation of the Maya maize god by the Maya death gods. [1]
In the Yucatec Maya language, the name is spelt Kʼukʼulkan (/kʼuː kʼuːlˈkän/) and in Tzotzil it is Kʼukʼul-chon (/kʼuːˈkʼuːl tʃʰon/). [4] The Yucatec form of the name is formed from the word kuk "feather" with the adjectival suffix -ul, giving kukul "feathered", [5] combined with kan "snake" (Tzotzil chon), [6] giving a literal meaning of "feathered snake".
Maya (/ ˈ m ɑː j ə /; Devanagari: माया, IAST: māyā), literally "illusion" or "magic", [1] [2] [3] has multiple meanings in Indian philosophies depending on the context. In later Vedic texts, māyā connotes a "magic show, an illusion where things appear to be present but are not what they seem"; [ 2 ] [ 4 ] the principle which ...
Sacrifice was a religious activity in Maya culture, involving the killing of humans or animals, or bloodletting by members of the community, in rituals superintended by priests. Sacrifice has been a feature of almost all pre-modern societies at some stage of their development and for broadly the same reason: to propitiate or fulfill a perceived ...