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An unpleated skirt which is composed of two pieces of fabric sewn to the same waistband. The middle part of the skirt overlap and are not sewn together. [20] Song Baidiequn 百迭裙 A one-piece pleated skirt; the top is narrow and the bottom is wide. [20] Song Sanjianqun 三裥裙 A skirt made of 4 skirts pieces sewn together. [20] Song Zhejianqun
Footwear: Baloch women use four types of shoes, namely Sawas, Mochi, Katuk and Takkul. Balochi embroidery alone has 118 different basic designs. [18] Baloch women use a large scarf to cover their heads called a sareg. [19] Mahtab Norouzi was an Iranian Baluchi master artisan, she was known for her textiles and women's clothing. [20] [21] [22]
Girls and unmarried women usually wore red skirts, while married women and middle-aged women wore blue skirts and elderly women wore gray skirts. [ citation needed ] In addition, Goguryeo women also wore saekdong chima that is a colourfully striped skirt by patchworking , and a chima in form of gored skirt, made by sewing several pieces of ...
Yoruba women's clothing is not only a form of dressing but also a form of expression and identity. The clothing reflects the personality, mood, taste, and creativity of the wearer. The clothing also conveys messages about the social status, marital status, age group, religious affiliation, and cultural affiliation of the wearer.
The adoption of the dirndl as a fashion resulted in a synthesis of tradition and high fashion: the dirndls worn by upper-class women took the basic design of the traditional dirndl but also used more fashionable materials such as silk, lace and expensive thread. The garment was made more closely fitted to emphasize the female body shape. [12]
Married and young women alike wear a red ribbon in their hair. For footwear, women wear sandals, slippers, boots or shoes. The color of the skirts can reflect a Romani women's status and age with brighter colors being used by younger girls and darker colors by older women. Black skirts are a sign of mourning in the Romani culture. [3]
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