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2. Readymades of Marcel Duchamp - Wikipedia

   en.wikipedia.org/wiki/Readymades_of_Marcel_Duchamp

   Marcel Duchamp's studio at 33 West 67th Street, New York City, 1917–18. Shown to the left is the 2nd version of Bicycle Wheel, 1916-17. The original 1913 version and this 2nd version are lost. The coatrack, titled Trap (Trébuchet), 1917, is on the floor, lower left.

3. Found object - Wikipedia

   en.wikipedia.org/wiki/Found_object

   Marcel Duchamp coined the term readymade in 1915 to describe a common object that had been selected and not materially altered in any way. Duchamp assembled Bicycle Wheel in 1913 by attaching a common front wheel and fork to the seat of a common stool.

4. Bicycle wheel - Wikipedia

   en.wikipedia.org/wiki/Bicycle_wheel

   The front wheel from a racing bicycle. Bicycle wheel with wooden rim Nipples Spokes Cross-section of a rim A Shimano Dura-Ace freehub-style hub. A bicycle wheel is a wheel, most commonly a wire wheel, designed for a bicycle. A pair is often called a wheelset, especially in the context of ready built "off the shelf" performance-oriented wheels.

5. Marcel Duchamp - Wikipedia

   en.wikipedia.org/wiki/Marcel_Duchamp

   In 1913, Duchamp installed a Bicycle Wheel in his studio. The Bicycle Wheel was an idea of Elsa von Freytag-Loringhoven. However, the idea of Readymades did not fully develop until 1915. The idea was to question the very notion of Art, and the adoration of art, which Duchamp found "unnecessary". [38]

6. L.H.O.O.Q. - Wikipedia

   en.wikipedia.org/wiki/L.H.O.O.Q.

   Duchamp drew the goatee in black ink with a fountain pen, and wrote "Moustache par Picabia / barbiche par Marcel Duchamp / avril 1942". [ 1 ] As was the case with a number of his readymades, Duchamp made multiple versions of L.H.O.O.Q. of differing sizes and in different media throughout his career, one of which, an unmodified black and white ...

7. In Advance of the Broken Arm - Wikipedia

   en.wikipedia.org/wiki/In_Advance_of_the_Broken_Arm

   An antidote to what Duchamp called "retinal art", In Advance of the Broken Arm was the second of a series of sculptures that he named "ready-mades", the most famous of which is his 1917 Fountain. At the time, the term "ready-made" referred to manufactured goods as opposed to handmade goods, but Duchamp used the term to describe "an ordinary ...