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The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...
Nicholson, Elizabeth S. G. "Diana Scultori." Italian Women Artists from Renaissance to Baroque: National Museum of Women in the Arts. Milano: Skira, 2007; Rocco, Patricia. The Devout Hand: Women, Virtue, and Visual Culture in Early Modern Italy, McGill-Queen's Press – MQUP, 2017 “Splendid Japanese Women Artists of the Edo Period”.
The Bar (painting) A Bar at the Folies-Bergère; The Bathers (Renoir) Bathers with a Turtle; The Bathers (Cézanne) Beatrice Hastings in Front of a Door; The Beauty; Beijing 2008 (painting) The Beloved (Rossetti) Berlin Street Scene; Bertha Wegmann Painting a Portrait; Bharat Mata (painting) The Black Brunswicker; Black Woman with Child
Female Nude is an 1876 painting by Pierre-Auguste Renoir, also known as Nude Woman Sitting on a Couch, Anna (after its model), After Bathing and Pearl.It is housed in the Pushkin Museum, in Moscow, and is an example of Renoir's many nude paintings, a recurring subject that preoccupied him throughout his life.
Special Exhibition on the 120th Anniversary of Jissen Women's Educational Institute, at the Kōsetsu Memorial Museum, Tokyo, April 18–June 21, 2015; Harris, Anne Sutherland and Linda Nochlin, Women Artists: 1550–1950, Los Angeles County Museum of Art, Knopf, New York, 1976; Heller, Nancy. Women Artists: An Illustrated History.
Artemisia, and more specifically her painting Judith Beheading Holofernes, are referred to in Wendy Wasserstein's play The Heidi Chronicles (1988), in which the main character, Heidi, lectures about it as part of her art history course on female painters. At the end of the play, Heidi adopts a daughter she names Judy, which is at least a ...
15th-century portrayal of Iaia from a French translation of De mulieribus claris. Michel Corneille the Younger, Lala of Cyzicus Painting, Palace of Versailles, 1672. Iaia of Cyzicus (Greek: Ιαία της Κυζίκου), sometimes (incorrectly) called Lala or Lalla, or rendered as Laia or Maia, [1] was a Greek painter born in Cyzicus, Roman Empire, and relatively exceptional for being a ...
Nicholson, Elizabeth S. G. "Diana Scultori." Italian Women Artists from Renaissance to Baroque: National Museum of Women in the Arts. Milano: Skira, 2007; Rocco, Patricia. The Devout Hand: Women, Virtue, and Visual Culture in Early Modern Italy, McGill-Queen's Press - MQUP, 2017 “Splendid Japanese Women Artists of the Edo Period”.
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