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The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...
Elderly Lady (circa 1740), painting by Rosalba Carriera. Women were professionally active in the academic discipline of art history in the nineteenth century and participated in the important shift early in the century that began involving an "Emphatically Corporeal Visual Subject", with Vernon Lee as a notable example. [1]
The Bar (painting) A Bar at the Folies-Bergère; The Bathers (Renoir) Bathers with a Turtle; The Bathers (Cézanne) Beatrice Hastings in Front of a Door; The Beauty; Beijing 2008 (painting) The Beloved (Rossetti) Berlin Street Scene; Bertha Wegmann Painting a Portrait; Bharat Mata (painting) The Black Brunswicker; Black Woman with Child
Helen of Troy is an 1898 painting by the English artist Evelyn De Morgan depicting Helen of Troy; it was commissioned by William Imrie of Liverpool. [1]Compositionally, the painting is similar to De Morgan's Flora and Cassandra: [2] Helen is standing upright and tall, in a peaceful posture that reminds to Boticcelli's representations of Greek and Roman goddesses (such as Athena or Venus) that ...
Nicholson, Elizabeth S. G. "Diana Scultori." Italian Women Artists from Renaissance to Baroque: National Museum of Women in the Arts. Milano: Skira, 2007; Rocco, Patricia. The Devout Hand: Women, Virtue, and Visual Culture in Early Modern Italy, McGill-Queen's Press – MQUP, 2017 “Splendid Japanese Women Artists of the Edo Period”.
They are among the most famous paintings in the world, and icons of Italian Renaissance painting; of the two, the Birth is better known than the Primavera. [1] As depictions of subjects from classical mythology on a very large scale they were virtually unprecedented in Western art since classical antiquity , as was the size and prominence of a ...
Artemisia, and more specifically her painting Judith Beheading Holofernes, are referred to in Wendy Wasserstein's play The Heidi Chronicles (1988), in which the main character, Heidi, lectures about it as part of her art history course on female painters. At the end of the play, Heidi adopts a daughter she names Judy, which is at least a ...
Krystyna Moczulska suggests that the ermine follows the meaning of an ermine or weasel in classical literature, where it relates to pregnancy, sometimes as an animal that protected pregnant women. Around the time of the painting's creation, Cecilia was known to be pregnant with Ludovico's illegitimate son. [1]
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