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The most dramatic use of the night-time can be seen in the 1793 painting by Jacques-Louis David, called The Death of Marat, portraying the French revolutionary leader Jean-Paul Marat after his murder by Charlotte Corday. The night in paintings of the 19th century was used to convey a complex of diverse meanings.
Such was the case for 19th-century artist Chokha, who enjoyed making night paintings like Escapade at Night: A Nobleman Climbs a Rope to Visit his Lover. In that painting Chokha captures the tension of lover climbing several stories into a house with many people and a sleeping guard. Chokha also liked to capture twilight hunting scenes.
Night music is a musical style of the Hungarian composer Béla Bartók which he used mostly in slow movements of multi-movement ensemble or orchestra compositions in his mature period. It is characterized by "eerie dissonances providing a backdrop to sounds of nature and lonely melodies".
John Atkinson Grimshaw (6 September 1836 – 13 October 1893) was an English Victorian-era artist best known for his nocturnal scenes of urban landscapes. [1] [2] He was called a "remarkable and imaginative painter" by the critic and historian Christopher Wood in Victorian Painting (1999).
In its form as a single-movement character piece usually written for solo piano, the nocturne was cultivated primarily in the 19th century. The first nocturnes to be written under the specific title were by the Irish composer John Field , [ 3 ] generally viewed as the father of the Romantic nocturne that characteristically features a cantabile ...
Folk music was already giving art music melodies, and from the late 19th century, in an atmosphere of increasing nationalism, folk music began to influence composers in formal and other ways, before being admitted to some sort of status in the canon itself. Since the early twentieth century non-Western music has
Night in paintings may refer to: Night in paintings (Western art) Night in paintings (Eastern art) This page was last edited on 29 December 2019, at 14:32 (UTC). ...
The 1934 ballet Bar aux Folies-Bergère with choreography by Ninette de Valois and music of Chabrier was created from, and based around, Manet's painting. [9] The 1947 film The Private Affairs of Bel Ami faithfully references A Bar at the Folies-Bergère twenty nine minutes into the film with a look-alike actress, set and props as the main ...
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