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The most dramatic use of the night-time can be seen in the 1793 painting by Jacques-Louis David, called The Death of Marat, portraying the French revolutionary leader Jean-Paul Marat after his murder by Charlotte Corday. The night in paintings of the 19th century was used to convey a complex of diverse meanings.
Such was the case for 19th-century artist Chokha, who enjoyed making night paintings like Escapade at Night: A Nobleman Climbs a Rope to Visit his Lover. In that painting Chokha captures the tension of lover climbing several stories into a house with many people and a sleeping guard. Chokha also liked to capture twilight hunting scenes.
Taking its name from medieval troubadours, the Troubadour Style (French: Style troubadour) is a rather derisive term, [1] in English usually applied to French historical painting of the early 19th century with idealised depictions of the Middle Ages and the Renaissance. In French it also refers to the equivalent architectural styles.
In the late 19th century, working-class Parisians would dress up and spend time there dancing, drinking, and eating galettes into the evening. [ 2 ] : 121–3 Like other works of Renoir's early maturity, Bal du moulin de la Galette is a typically Impressionist snapshot of real life.
Comte Henri Marie Raymond de Toulouse-Lautrec-Monfa (24 November 1864 – 9 September 1901), known as Toulouse-Lautrec (French: [tuluz lotʁɛk]), was a French painter, printmaker, draughtsman, caricaturist, and illustrator whose immersion in the colourful and theatrical life of Paris in the late 19th century allowed him to produce a collection of enticing, elegant, and provocative images of ...
John Atkinson Grimshaw (6 September 1836 – 13 October 1893) was an English Victorian-era artist best known for his nocturnal scenes of urban landscapes. [1] [2] He was called a "remarkable and imaginative painter" by the critic and historian Christopher Wood in Victorian Painting (1999).
Jupiter and Semele (1894–1895), by Gustave Moreau, Musée Gustave Moreau, Paris. Symbolist painting was one of the main artistic manifestations of symbolism, a cultural movement that emerged at the end of the 19th century in France and developed in several European countries.
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.
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