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The most dramatic use of the night-time can be seen in the 1793 painting by Jacques-Louis David, called The Death of Marat, portraying the French revolutionary leader Jean-Paul Marat after his murder by Charlotte Corday. The night in paintings of the 19th century was used to convey a complex of diverse meanings.
Such was the case for 19th-century artist Chokha, who enjoyed making night paintings like Escapade at Night: A Nobleman Climbs a Rope to Visit his Lover. In that painting Chokha captures the tension of lover climbing several stories into a house with many people and a sleeping guard. Chokha also liked to capture twilight hunting scenes.
Evening: Landscape with an Aqueduct is an 1818 landscape painting by the French artist Théodore Géricault. [1] [2] [3] It was one of three monumental landscapes showing various times of the day (a planned fourth was not produced).
The justification for a night scene has generally been given from iconographic themes occurring in this time period. In the 14th century painting began to move away from the symbolic and conceptual content of medieval art in search of a figurative content based on a more objective spatio-temporal axis.
19th-century art groups (4 C, 39 P) I. Impressionism (7 C, 85 P) M. Modern art (69 C, 262 P, 13 F) Art museums and galleries established in the 19th century (10 C) N.
In Manet's painting, a barmaid gazes out of frame, observed by a shadowy male figure. The whole scene appears to be reflected in the mirror behind the bar, creating a complex web of viewpoints. Wall borrows the internal structure of the painting, and motifs such as the light bulbs that give it spatial depth.
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