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Phonaesthetics (also spelled phonesthetics in North America) is the study of the beauty and pleasantness associated with the sounds of certain words or parts of words.The term was first used in this sense, perhaps by J. R. R. Tolkien, [1] during the mid-20th century and derives from Ancient Greek φωνή (phōnḗ) 'voice, sound' and αἰσθητική (aisthētikḗ) 'aesthetics'.
The word aesthetic is derived from the Ancient Greek ... the most aesthetically pleasing is the one that is encoded by the shortest description, ...
The aesthetic–usability effect describes a paradox that people perceive more aesthetic designs as much more intuitive than those considered to be less aesthetically pleasing. The effect has been observed in several experiments and has significant implications regarding the acceptance, use, and performance of a design.
The applied arts are all the arts that apply design and decoration to everyday and essentially practical objects in order to make them aesthetically pleasing. [1] The term is used in distinction to the fine arts, which are those that produce objects with no practical use, whose only purpose is to be beautiful or stimulate the intellect in some way.
Nevertheless, aesthetically pleasing cities share certain traits: ethnic and cultural variety [citation needed], numerous microclimates that promote a diversity of vegetation, sufficient public transportation, Public art and freedom of expression in the community in the forms of sculpture, graffiti and street art, a range of build-out (or ...
An example of "beauty in method"—a simple and elegant visual descriptor of the Pythagorean theorem.. Mathematical beauty is the aesthetic pleasure derived from the abstractness, purity, simplicity, depth or orderliness of mathematics.
Related to the rule of odds is the observation that triangles are an aesthetically pleasing implied shape within an image. In a canonically attractive face, the mouth and eyes fall within the corners of the area of an equilateral triangle. [citation needed] Paul Cézanne successfully used triangles in his compositions of still lifes. A ...
The experimental inquiry into simple aesthetically pleasing forms was begun by G. T. Fechner in seeking to test the soundness of Adolf Zeising's hypothesis that the most pleasing proportion in dividing a line, say the vertical part of a cross, is the "golden section", where the smaller division is to the larger as the latter to the sum.