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The opening bars and main theme of No. 1. The Nocturnes, Op. 9 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1831 and 1832, published in 1832, and dedicated to Madame Marie Pleyel. These were Chopin's first published set of nocturnes. The second nocturne of the work is often regarded as Chopin's most famous ...
While the popularity of individual nocturnes has varied considerably since Chopin's death, they have retained a significant position in piano repertoire, with the Op. 9 No. 2 in E ♭ major and the Op. 27 No. 2 in D ♭ major perhaps the most enduringly popular.
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Op. 31, Scherzo No. 2 in B ♭ minor (1837) Op. 32, 2 Nocturnes (1836–1837) Nocturne in B major; Nocturne in A ♭ major; Op. 33, 4 Mazurkas (1837–1838) Mazurka in G ♯ minor; Mazurka in D major; Mazurka in C major; Mazurka in B minor; Op. 34, 3 Waltzes (1831–1838) Waltz in A ♭ major (1835) Waltz in A minor (1831) Waltz in F major (1838)
Anton Stepanovich Arensky: two nocturnes for piano, each part of a set: No. 1 from Six Pieces, Op. 5 (1884); No. 3 from Twenty-four Characteristic Pieces, Op. 36 (1894); a nocturne for two pianos, no. 8 from Variations (Suite No. 3), Op. 33; Arno Babajanyan: his nocturne, a lyrical piece in easy listening genre and a song performed by Muslim ...
The Nocturne Op. 9 No. 2, in E flat major, performed by Mischa Elman and Percy B. Kahn, Victor 12" Red Seal (Classical) 74052, single-sided disc Composition date 1832
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For example, in the Nocturne Op. 9 No. 2, bar 26 has an intensely singing moment where the melody leaps up to an E-flat. However, this E-flat is not the highest point of the phrase. Therefore, Chopin marked poco rubato to signify to the player that they can emphasize the intensely expressive moment, but to also hold back for the actual climax ...
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