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Paris: A Poem is a long poem by Hope Mirrlees, described as "modernism's lost masterpiece" by critic Julia Briggs. [1] Mirrlees wrote the six-hundred-line poem in spring 1919. Although the title page of the first edition mistakenly has the year 1919, it was first published in 1920 by Leonard and Virginia Woolf at the Hogarth Press .
The poems range from elegy and sonnet forms through jingoistic propaganda. [12] The title of the anthology is taken from the 1918 poem 'To My Brother' by Vera Brittain, one of three poems by Brittain reproduced in the anthology. The first line of the poem reads, 'Your battle-wounds are scars upon my heart'. [13]
the English poem In Praise of Peace "is a political poem in which Gower, as a loyal subject of Henry IV, approves his coronation, admires him as the saviour of England, dilates on the evil of war and the blessing of peace, and finally begs him to display clemency and seek domestic peace" [29]: 106 Fisher argued that it was "Gower's last ...
The poem begins with an octave where the speaker states that love does not possess the power to heal or save things, and concludes with a sestet of the speaker saying that even though she may face hardships, she would not trade love for food or peace. This poem is often lauded as one of her most successful works in the Fatal Interview sequence. [5]
The poem also emphasizes the idea that the divine exists both inside and outside of oneself, and that one's judgment and salvation are dependent on their relationship to the divine. It offers a unique perspective on the nature of the divine and the individual's relationship to it, and it highlights the idea of duality and the interconnectedness ...
The lyric poetry of Europe in this period was created by the pioneers of courtly poetry and courtly love largely without reference to the classical past. [11] The troubadors , travelling composers and performers of songs, began to flourish towards the end of the 11th century and were often imitated in successive centuries.
In Flame and Shadow, "There Will Come Soft Rains" is the first of the six poems in section VIII that dwell on loss caused by war—all of which reflect pacifist sentiments. The subtitle "(War Time)" of the poem, which appears in the Flame and Shadow version of the text, is a reference to Teasdale's poem "Spring In War Time" that was published ...
“The Second Coming” is a poem written by Irish poet William Butler Yeats in 1919, first printed in The Dial in November 1920 and included in his 1921 collection of verses Michael Robartes and the Dancer. [1] The poem uses Christian imagery regarding the Apocalypse and Second Coming to describe allegorically the atmosphere of post-war Europe ...