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Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Still Life with Head-Shaped Vase and Japanese Woodcut; Still Life with Lemons, Oranges and a Rose; Still Life with Lobster, Drinking Horn and Glasses; Still Life with Mirror; Still Life with Old Shoe; Still Life with Peaches and Pears; Still Life with Peacocks; Still Life with Pots; Still Life with Profile of Laval; Still Life with Pussy-Willows
The drawing was part of the Los Four show at LACMA featuring the works of De la Rocha, Carlos Almaraz, Gilbert "Magu" Lujan and Frank Romero — the first major exhibition of Chicano art in L.A ...
Art institute of Chicago 145.7 × 112.7: Motherhood Angelina and the Child Diego 1916 Museo de Arte Carrillo Gil, Mexico City 134.5 × 88.5: Oil on canvas Urban Landscape 1916 Museo Frida Kahlo, Mexico City Still Life with Tulips 1916 67.8 × 53.7: Oil on canvas Still Life with Utensils 1917 Dolores Olmedo Collection, Mexico City,
Image credits: culturaltutor The Church at Auvers by Vincent van Gogh (1890), the first famous painting in the list by Cultural Tutor, was done by the painter during his visit to Auvers.Van Gogh ...
Still Life (Roses) Naturaleza muerta (Rosas) Oil on canvas, 41.2 x 30 cm Private collection 1925 Urban Landscape: Paisaje urbano: Oil on canvas, 34.29 x 40 cm Private collection, Mexico City, Mexico 1926 Self-portrait in a Velvet Dress: Autorretrato con trajede terciopelo: Oil on canvas, 79 x 58 cm Private collection, Mexico City, Mexico 1927
David Ligare (born 1945) is a California-based representational painter of landscape, figurative and still life works. [1] [2] [3] His paintings employ formal principles and ideas from Greco-Roman art and Classical history painting in the service of philosophical contemplations of contemporary existence.
It has been argued that Hoefnagel's manuscript illuminations, the prints from the Archetypa studiaque and some drawings on vellum independent from any text (such as the 1594 Flower still life with insects, Ashmolean Museum) stood at the basis of still-life painting as an independent genre. This influence is assumed to have been important in ...
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