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bell hooks papers (archival finding aid published by Berea College Special Collections & Archives) bell hooks articles published in Lion's Roar magazine. South End Press (books by hooks published by South End Press) University of California, Santa Barbara (biographical sketch of hooks) "Postmodern Blackness" (article by hooks)
bell hooks in 2009. We Real Cool: Black Men and Masculinity is a 2004 book about masculinity by feminist author bell hooks. It collects ten essays on black men. The title alludes to Gwendolyn Brooks' 1959 poem "We Real Cool". The essays are intended to provide cultural criticism and solutions to the problems she identifies. [1]
Ain't I a Woman? Black Women and Feminism is a 1981 book by bell hooks titled after Sojourner Truth's "Ain't I a Woman?" speech. hooks examines the effect of racism and sexism on Black women, the civil rights movement, and feminist movements from suffrage to the 1970s.
The God of the Woods by Liz Moore (Riverhead Books: $30) Two worlds collide when a teenager vanishes from her Adirondacks summer camp. 6. ... All About Love by bell hooks (Morrow: $17) 7.
The award-winning author of 'Goodbye, Vitamin' and 'Real Americans' on bell hooks, 'How to do Nothing,' and The Book That Has The Best Title.
bell hooks, the 'All About Love' author and cultural critic who popularized intersectionality and whose legacy spanned decades, died Wednesday.
In the preface of the book, bell hooks writes about being abandoned from love in her girlhood. While she does not provide the reader with context to the details of that abandonment, hooks reflects to the reader that she realized that all the years she was looking for love, she was truly longing to heal from the initial abandonment. hooks writes that when she finally got herself moved on from ...
Feminist Theory: From Margin to Center is a 1984 book about feminist theory by bell hooks.The book confirmed her importance in radical feminist thought. The "margin" in the title refers to hooks' description of black women as existing on the margins and their lives hidden from mainstream American society as well as not being part of mainstream feminist theory. [1]
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