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The colonnade, consisting mainly of 16 tall Corinthian columns in a row, now fronts an open square. In the 4th century, the columns were moved here, after removal from a likely 2nd century pagan temple or public bath house structure. [1] South of the columns, one of the medieval gates still has some Roman marble decoration in place.
Three much restored marble columns from the portico of the forum, with Corinthian capitals, remain standing in front of the facade. The lower third of two of the columns is decorated with piped fluting, while the upper portion lacks fluting. Part of the entablature remains on top of the capitals. The lobby of the Macellum was particularly ...
Pragmatic readings emphasize the utility of re-used materials: if there is a good supply of old marble columns available, for example, there is no need to produce new ones. The two approaches are not mutually exclusive, and there is certainly no one approach that can account for all instances of spoliation, as each instance must be evaluated ...
[2] [3] The column's construction was begun after 401 to commemorate Arcadius's triumph over the Goths under the renegade magister militum Gainas in the wars of 399–401. [1] Arcadius died in 408, but the column was only completed in 421, so the forum of Arcadius and its column was sometimes referred to by the name of his son and successor ...
The floor of the central hall was paved in colorful polychrome marble slabs, contrasting with the plain white marble of the adjoining aisles. [7] The Basilica's façade as it appeared after the Augustan restoration was two stories high and arcaded, with engaged Carrara marble columns decorating the piers between the arches on both levels. [8]
Pantheon, Rome. White Docimian marble is used on the floor and some of the columns such as the two protruding columns of the main apse. The white Docimian color on the floor is very dominant. Pavonazzetto was not widely or extensively used before the Roman period; there is no evidence of it in circulation before the last two decades BC. [4]
Euston Station in central London has deteriorated to the point where its marble columns are held together by bands because “it would fall off without them”, the rail minister has said ...
Bands, panels and shaped reserves of intricate mosaic alternate with contrasting bands, guilloches and simple geometric shapes of plain white marble. Pavements and revetments were executed in Cosmatesque technique, columns were inlaid with fillets and bands, and immovable church furnishings like cathedras and ambones were similarly treated.
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