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The Shiva Purana contains chapters with Shiva-centered cosmology, mythology, and relationship between gods, ethics, yoga, tirtha (pilgrimage) sites, bhakti, rivers and geography, and other topics. [ 10 ] [ 2 ] [ 11 ] The text is an important source of historic information on different types and theology behind Shaivism in early 2nd-millennium ...
The Ribhu Gita (Sanskrit: ऋभुगीता; ṛbhugītā) is an acclaimed song at the heart of this purana whose content has been described as advaita, monist or nondual. The Ribhu Gita forms the sixth part of Shivarahasya Purana.
The stories are similar to those found in the other Puranas, but neither Vishnu nor Shiva dominate the text. [10] The text presents a tour guide to medieval Varanasi (also known as the holy city of Banaras or Kashi), but mostly about the Shaiva sites, while elsewhere Pancharatra stories present Vishnu prominently but with Sri as the Supreme ...
The Linga Purana states, "Shiva is signless, without color, taste, smell, that is beyond word or touch, without quality, motionless and changeless". [11] The source of the universe is signless, and all of the universe is the manifested Linga, a union of unchanging Principles and the ever-changing nature. [ 11 ]
The is a Shaiva story that features Brahma, Vishnu, Shiva, the three major gods of Hinduism, who get together and debate about who is supreme amongst the three of them and after various incidents of the story, the glory of Shiva is established at the end by the apparition of the Linga which is a form of Shiva as Lingodbhava over Vishnu and ...
The pañcānana (Sanskrit: पञ्चानन), also called the pañcabrahma, [1] are the five faces of Shiva corresponding to his five activities (pañcakṛtya): creation (sṛṣṭi), preservation (sthithi), destruction (saṃhāra), concealing grace (tirobhāva), and revealing grace (anugraha). [2]
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The Śiva·sūtras, technically akṣara·samāmnāya, variously called māheśvarāṇi sūtrāṇi, pratyāhāra·sūtrāṇi, varṇa·samāmnāya, etc., refer to a set of fourteen aphorisms devised as an arrangement of the sounds of Sanskrit for the purposes of grammatical exposition as carried out by the grammarian Pāṇini in the Aṣṭādhyāyī.