Search results
Results from the WOW.Com Content Network
"The Fugitive" (later titled "I'm a Lonesome Fugitive" on the album) is a song recorded by American country music artist Merle Haggard and The Strangers, written by Liz Anderson and Casey Anderson (parents of country music singer Lynn Anderson). It was released in December 1966 as the first single and title track from the album I'm a Lonesome ...
The song "I'm a Lonesome Fugitive" brought Haggard country stardom. Although it sounds autobiographical (Haggard had done time at San Quentin), David Cantwell states in his book The Running Kind that it was actually written by Liz Anderson and her husband Casey while driving cross country and was inspired by the popular television show The Fugitive starring David Janssen as Richard Kimble.
"Fugitive" is the first single taken from David Gray's eighth studio album Draw the Line. The song had its first exclusive play on Ken Bruce 's BBC Radio 2 show on 21 July 2009 and was released in the UK on 7 September 2009.
The Fugitive is the second solo album by Genesis keyboardist Tony Banks. It was originally released in June 1983, on Charisma (UK), and Atlantic (US). It was produced by Banks himself, and co-produced by the Grammy Award–winning Stephen Short. The album is the only album in which Banks sings all of the lead vocals.
Bujdosó, commonly known in English as The Fugitive or Song of Exile, [1] is an early vocal composition by Hungarian composer György Ligeti. It was finished in 1946 and is strongly influenced by Béla Bartók .
Rigby uses basic chord structures derived from '60s rock and pop music. Her records are as notable for their musical sophistication as for their lyrical directness. Her influences also include New York City punk rock, especially as played at the famous CBGB club, as well as the Beatles and other mid-1960s pop. One of her recent songs is ...
The 'fugitive' of the title is, most immediately, Nina, who is described as being in desperate flight from the higher power that called her into existence. But Nina's case is presented as representative of all humans beings, not pathological, and the play's repeated imagery of borders and flight (common in much of Betti's work) expresses a ...
The A-side was a version of the rock standard with the addition of a spoken word piece about Patty Hearst, a fugitive heiress. The B-side describes the helpless alienation Smith felt while working on a factory assembly line and the salvation she dreams of achieving by escaping to New York City. [1]