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It was built between 1395 and 1406 on the ruins of the church of Santa Maria di Capo di Bove for Francesco I Gonzaga, to designs by Bartolino da Novara. Ludovico III Gonzaga gave over his rooms in the "Corte Vecchia" to pope Pius II for the Council of Mantua in 1459 - that year, he commissioned Luca Fancelli to rebuild the castle as a palazzo rather than as a defensible castle.
Façade of Palazzo Ducale San Giorgio Castle Details of Pisanello's frescoes in the "Hall of Pisanello". The Palazzo Ducale di Mantova ("Ducal Palace") is a group of buildings in Mantua, Lombardy, northern Italy, built between the 14th and the 17th century mainly by the noble family of Gonzaga as their royal residence in the capital of their Duchy.
Mauro Lucco (a cura di), Mantegna a Mantova 1460-1506, catalogo della mostra, Skira Milano, 2006; Alberta De Nicolò Salmazo, Mantegna, Electa, Milano 1997. Andrea Ciaroni, Maioliche del Quattrocento a Pesaro, frammenti di storia dell'arte ceramica dalla bottega dei Fedeli, CentroDi, Firenze 2004.
Mantua, Palazzo Ducale Mantua, Palazzo Te The Gonzaga Collection or Celeste Gallery (la Celeste Galeria) was the large collection of artworks commissioned and acquired by the House of Gonzaga in Mantua, Italy, exhibited for a time in the Palazzo Ducale, the Palazzo Te, the Palazzo San Sebastiano and other buildings in Mantua and elsewhere.
Internal view. The National Archaeological Museum of Mantua is an archaeological museum located in Mantua, Italy.It is located at the Palazzo Ducale and holds objects discovered from excavations in the surrounding territory.
(b. 1431, Isola di Carturo, d. 1506, Mantova) View of the west and north walls 1465-74 Walnut oil on plaster Camera degli Sposi, Palazzo Ducale, Mantua The space of the room with a square plan (8,1 x 8,1 m) is essentially a cube, and in it Mantegna has created a monumental architectural reality by means of ribs on the ceiling connecting with ...
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Floor tiles and marble shelves were moved in 1773 to the Palazzo Ducale in Mantua. Across a small corridor decorated with a fresco of the myth of Orpheus, one enters the duke's studiolo. Here ovals frame depictions of the cardinal virtues with dense decoration of classical images. Campi was aided in this regard by Carlo Urbino.
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