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Aeri Uchinaga (内永 枝利, Uchinaga Eri, born October 30, 2000), known professionally as Giselle (Korean: 지젤), is a Japanese singer and rapper based in South Korea. She is a member of the South Korean girl group Aespa , formed by SM Entertainment in November 2020.
A video trailer with all four members was revealed on November 2. [7] On the same day, the agency announced that Aespa would release their debut single "Black Mamba" on November 17. [8] The music video teaser was released on November 15, and the song officially premiered on November 17. [9] [10]
On February 19, 2024, Aespa officially announced their second world tour, Synk: Parallel Line, via X and Weverse, with the first stop scheduled in Seoul on June 29 and 30, 2024. [2] During their first stop in Seoul, the members unveiled solo performances featuring new, unreleased tracks. Each member participated in writing their solo songs.
The "futuristic" music video shows Aespa in "dynamic and witty characterizations", [48] displaying their superpowers throughout the city. [10] It features each member possessing an "otherworldly power" - Karina's super strength, Ningning's control over fire, Winter's floating in the air and Giselle's time-lopping. [6]
Aespa debuted on November 17, 2020, with the single "Black Mamba", which achieved the highest number of views in 24 hours for a K-pop group's debut video. Their third single, " Next Level ", was released in May 2021 to widespread commercial and critical success, peaking at number two on the Circle Digital Chart and earning the Daesang [ a ] for ...
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The music video described as "movie-like" with "thrilling action sequences" depicts the group's journey of "returning back to Kwangya", featuring "Winter and Giselle playing the main characters [that] unfolds under a solid story[line]" with scenes transitioning from scenes of "Winter riding a motorcycle" and "Karina performing martial arts with ...
However, Alexis Petridis of The Guardian described it "all intriguing, and, it has to be said, very well done – Aespa's videos are charming and made to an extraordinarily high standard – yet it can't help but rouse the suspicion that their music might constitute something of an afterthought, a theory not dispelled by actually listening to it."