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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Although less common, musical quotations can be found in rock music, for example Barenaked Ladies "Hello City" quotes a stanza from The Housemartins' "Happy Hour". Sampling, a foundation of hip hop music, is the reuse of a portion (or sample) of a sound recording in another recording. [11]
Medium images giving examples should be displayed in thumbnails to the right (or stagger right and left if frequent). For example, most images of chords should be displayed this way, while their motivic elaborations should be displayed as illustrations. Large images giving segments of music or depicting features of music should be displayed in ...
Portal:Classical music/Quotes/13 And when they encounter works of art which show that using new media can lead to new experiences and to new consciousness, and expand our senses, our perception, our intelligence, our sensibility, then they will become interested in this music.
Word painting, also known as tone painting or text painting, is the musical technique of composing music that reflects the literal meaning of a song's lyrics or story elements in programmatic music. Historical development
In a live music context, this is a slang term used by musicians to refer to the audio processing and amplification gear used by a keyboardist, bassist, or electric guitarist. An electric bassist, for example, may refer to her speaker cabinet, bass amplifier "head" and rack-mounted effects units collectively as her "rig" (or "bass rig"). rit.
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According to Andranik Tangian, [7] analytical phrasing can be quite subjective, the only point is that it should follow a certain logic. For example, Webern’s Klangfarbenmelodie-styled orchestral arrangement of Ricercar from Bach’s Musical offering demonstrates Webern’s analytical phrasing of the theme, which is quite subjective on the one hand but, on the other hand, logically consistent: