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  2. Microphone - Wikipedia

    en.wikipedia.org/wiki/Microphone

    The dynamic microphone ... An example of a nondirectional microphone is the round black eight ball. ... Mic It!: Microphones, Microphone Techniques, ...

  3. Proximity effect (audio) - Wikipedia

    en.wikipedia.org/wiki/Proximity_effect_(audio)

    Depending on the microphone design, proximity effect may result in a boost of up to 16 dB or more [citation needed] at lower frequencies, depending on the size of the microphone's diaphragm and the distance of the source. A ready (and common) example of proximity effect can be observed with cardioid dynamic vocal microphones (though it is not ...

  4. Blumlein pair - Wikipedia

    en.wikipedia.org/wiki/Blumlein_pair

    Two bi-directional AKG C414 microphones set up in a Blumlein pair. Blumlein pair is a stereo recording technique invented by Alan Blumlein for the creation of recordings that, upon replaying through headphones or loudspeakers, recreate the spatial characteristics of the recorded signal.

  5. Microphone practice - Wikipedia

    en.wikipedia.org/wiki/Microphone_practice

    The equipment for the techniques also varies from the bulky to the small and convenient. A-B techniques generally use two separate microphone units, often mounted on a bar to define the separation. X-Y microphone capsules can be mounted in one unit, or even on the top of a handheld digital recorder.

  6. Category:Dynamic microphones - Wikipedia

    en.wikipedia.org/wiki/Category:Dynamic_microphones

    Pages in category "Dynamic microphones" The following 11 pages are in this category, out of 11 total. This list may not reflect recent changes. 0–9. Shure Beta 58A; C.

  7. Sennheiser MD 421 - Wikipedia

    en.wikipedia.org/wiki/Sennheiser_MD_421

    The Sennheiser MD 421 is a German cardioid dynamic microphone, widely used for speech in broadcasting and for music in live concerts and the recording studio. Introduced in 1960, the internal large-diaphragm transducer element of the MD 421 is still produced unchanged by Sennheiser .

  8. Sound reinforcement system - Wikipedia

    en.wikipedia.org/wiki/Sound_reinforcement_system

    Most microphones used in sound reinforcement are either dynamic or condenser microphones. One type of directional microphone, called cardioid mics, are widely used in live sound, because they reduce pickup from the side and rear, helping to avoid unwanted feedback from the stage monitor system .

  9. ORTF stereo technique - Wikipedia

    en.wikipedia.org/wiki/ORTF_stereo_technique

    This technique combines both the volume difference and the timing difference as sound arrives on- and off-axis at two cardioid microphones spread to a 110° angle, and spaced 17 cm apart. [1] The microphones should be as similar as possible, preferably a frequency-matched pair of an identical type and model.

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