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Bazille's Studio (L'atelier de Bazille) is an oil-on-canvas painting created in 1870 by the French Impressionist Frédéric Bazille (with contributions by Édouard Manet). The painting is also known as L'Atelier de la rue Condamine , [ 1 ] The Studio, and The Studio on the Rue La Condamine . [ 2 ]
Since the first exhibition of 1884, at the Pavilion de la ville de Paris (Champs-Élysées), the organizing Société des Artistes Indépendants has vowed to bring together the works of artists claiming a certain independence in their art. The event is characterized by the absence of both awards and a selection jury.
The leading French art fair, Foire internationale d'art contemporain (FIAC), is a manifestation of contemporary art that has taken place every year since 1974 in October in Paris. For several days, this exhibition becomes the international meeting place between galleries, collectors, curators, museum directors and personalities from around the ...
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Similar paintings of flags on the Rue Montorgueil and Rue Saint-Denis in Paris in 1878 were made by Claude Monet, and these works were echoed by a 1917 painting of New York by Childe Hassam, The Avenue in the Rain. The painting passed through the hands of Jean-Baptiste Faure in the 1890s, and then Auguste Pellerin until 1910.
View of Rooftops- Vincent Van Gogh 1886 View from Apartment in Rue Lepic Drawing- Vincent van Gogh 1887. View of Paris from Vincent's Room in the Rue Lepic (Dutch: Gezicht op de daken van Parijs) is the name of two paintings by the Dutch Post-Impressionist artist Vincent van Gogh from 1887, when he lived with his brother Theo in Paris.
Le Boulevard de Montmartre, Matinée de Printemps is a painting of Paris' Boulevard Montmartre by Camille Pissarro. On 5 February 2014 it was auctioned at Sotheby's, London, for £19,682,500, [Notes 1] double its pre-sale estimate. [1] [2]
At the time the painting was executed Bazille and Renoir shared a Paris studio in rue de la Condamine. [3] The work was completed in March 1870, and submitted for the Paris Salon along with a landscape. However, despite Bazille's hopes, the painting was rejected by the Paris Salon jury. Bazille subsequently never publicly exhibited the work. [4]
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