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The words were written by Englishwoman Helen Taylor, under the original title "Bless the House". The music was composed by Australian May Brahe, a friend of Taylor's. One of the first artists to record the song was tenor John McCormack who recorded it on September 16, 1932 in London with Edwin Schneider on piano. [1]
Mary Hannah (May) Brahe (née Dickson) (6 November 1884 – 14 August 1956) was an Australian composer, best known for her songs and ballads.Her most famous song by far is "Bless This House", recorded by John McCormack, Beniamino Gigli, [1] Lesley Garrett and Bryn Terfel. [2]
Kierkegaard began to pursue her over a long period of time, ingratiating himself first as a friend and later attempting to court her. On 8 September 1840 Kierkegaard finally revealed his feelings to Olsen when she was playing the piano for him at her family's house. He recounted the events years later in his journal: "'Oh!
"The individual learns in everything to bend his will to God and to endure patiently his destiny. Then he published Three Discourses on Imagined Occasions, the first of which treats man's aspiration toward God and his meeting with God and gives a deep insight into the development of man's conception of God. The second discusses the gravity of ...
Bless This House may refer to: Bless This House (UK TV series), a 1971–1976 British sitcom Bless This House, a 1972 film spin-off of the above; Bless This House (U.S. TV series), a 1995–1996 American sitcom "Bless This House" (song), a 1927 song written by Helen Taylor
The paradox and the absurd are ultimately related to the Christian relationship with Christ, the God-Man. That God became a single individual and wants to be in a relationship with single individuals, not to the masses, was Kierkegaard's main conflict with the nineteenth-century church. The single individual can make and keep a resolution.
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Prayers of Kierkegaard, Op. 30, is an extended one-movement cantata written by Samuel Barber between 1942 and 1954. The piece has four main subdivisions and is based on prayers by Søren Kierkegaard. It is written for chorus, large orchestra, soprano solo and incidental tenor and alto solos.